... Serbian Forgeries ...

1904
100 years anniversary of the Kara-George dynasty

- Now including Fournier forgeries -
(courtesy of B. Claghorn's Fournier Album)



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5 Para
10 Para
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25 Para
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In his 1914 price-list of philatelic forgeries ("Facsimiles of Obsolete Postage Stamps" [2]) Fournier offered the complete 5 values of this set for 0.50 French Francs. The set was listed under his "1st Choice" selection, facsimiles of the highest degree of workmanship, printed in single copies.




Mi #76

Forgery Type II

Genuine


Billig's Grosses Handbuch der Falschungen lists two different forgeries of this issue [1]. One is a Fournier forgery, while the other is simply characterised as "Forgery Type II", and I have no further information about the origins of this forgery. Thanks to Bill Claghorn I can now show samples of both types!

Both the original stamps and the two forgery types are line perforated 11 1/2 so this is not a reliable characteristic to use. Some of the colour differences you see here might be due to the scanning processes, but Fournier has obviously not been able to replicate the correct green colour of the stamps, resulting in a rather dull green with shades of yellow. The Type II forgeries are much closer to the green tone of the genuine issues. The main DESIGN characteristics of this issue are described below:

  1. There is little difference in the top text between genuine issues and Type II forgeries. It is easier to see the difference in the text for the Fournier forgeries, especially the shape of the Cyrillic letter "P". Note, however, the missing foot of the Cyrillic "f" on the Type II forgery.
Genuine


Fournier
forgery


Forgery Type II


Furthermore:
  1. The smaller writing inside the center field (the names "Kara-George" and "Petar I") is almost illegible on the Type II forgeries, but much better performed on the Fournier issues.
  2. The coloured triangle in the right ornament is very asymmetric on the Type II forgeries, and the ends of the vertical bars are blunt. On the Fournier forgeries, the lower corner of the triangle touches the ornament below
  3. The "drop" or petal hanging from the vertical ornaments is mostly connected on genuine stamps, but separate ovals on the forgeries. This is the case for both forgeries.
  4. The tiny appendix inside the left ornament is almost non-existent on the Type II forgeries, but slightly better on the Fournier issues.
  5. Note also the different shapes of the numbers "1804", especially the head and foot of the "1".
  6. Shading between figures and ornaments is rather weak on Fournier's forgeries, but almost completely coloured on the Type II forgeries. The genuine issues have fairly distinct shading all over the design.

Genuine
Fournier forgery
Forgery Type II
Genuine

Fournier
forgery

Forgery Type II





Mi #77



Forgery Type II

Genuine


Also for this issue both the original stamps and the two forgery types are line perforated 11 1/2. Both forgers seem to have had some problems imitating the correct red colour on this issue, so the forgeries have a distinct paler tone and uneven colour application compared to the original issue. The printing also seems to be slightly more blurred that on the green 5 Para above. The main design characteristics of these issues are mostly the same as above:

  1. Little difference in the top text between genuine issues and Type II forgeries. This particular difference is more important for the Fournier forgeries, especially the shape of the cyrillic letter "P".
Genuine


Fournier
forgery


Forgery Type II


  1. The star above the portraits is heavily deformed on the Type II forgeries.
  2. The coloured triangle in the right ornament is very asymmetric on the Type II forgeries, and the ends of the vertical bars are blunt. On the Fournier forgeries, the lower corner of the triangle touches the ornament below.
  3. The "drop" or petal hanging from the vertical ornaments is well shaped and partly connected on genuine stamps, but separate ovals on the forgeries. This is the case for both forgeries.
  4. The tiny appendix inside the left ornament is almost non-existent on the Type II forgeries, but slightly better on the Fournier issues.
  5. Note also the different shapes of the numbers "1804".
  6. The shading between figures and ornaments is almost completely coloured on the Type II forgeries, less coloured on the Fournier issues. The shading is rather coloured also on the genuine stamps, but the lines are much more even and distinct.
Genuine
Fournier forgery
Forgery Type II
Genuine

Fournier
forgery

Forgery Type II





Mi #78



Forgery Type II

Genuine

Again, both the original stamps and the two forgery types are line perforated 11 1/2. For this issue the forgers seem to have had even bigger problems imitating the correct violet colour, ending up with a very pale Fournier forgery and a distinct brownish tone on the Type II forgery. The print also seems to be rather blurred with very uneven colour application along edges and lines. The main design characteristics of this issue are mostly the same as above:

  1. Little difference in the top text between genuine issues and Type II forgeries. This particular difference is more important for the Fournier forgeries, especially the shape of the cyrillic letter "P".
Genuine


Fournier
forgery


Forgery Type II


  1. The coloured triangle in the right ornament is very asymmetric on the forgeries, and the ends of the vertical bars are blunt or deformed. On the Fournier forgeries, the lower corner of the triangle touches the ornament below.
  2. The "drop" or petal hanging from the vertical ornaments is well shaped and mostly connected on genuine stamps, but separate ovals on the forgeries. This is the case for both forgeries, although the Type II is also partly connected.
  3. The tiny appendix inside the left ornament is almost non-existent on the Type II forgeries, but slightly better on the Fournier issues.
  4. Note also the different shapes of the numbers "1804".
  5. Shading between figures and ornaments is almost completely coloured on the Type II forgeries, less so on the Fournier issues. The genuine issues have fairly distinct lines.
Genuine
Fournier forgery
Forgery Type II
Genuine

Fournier
forgery

Forgery Type II





Mi #79



Forgery Type II

Fournier Forgery

For this issue, I can only show the two forgery types. Again, both the original stamps and the two forgeries are line perforated 11 1/2. The main design characteristics of this issue are mostly the same as above:

  1. Little difference in the top text between genuine issues and Type II forgeries. This particular difference is more important for the Fournier forgeries, especially the shape of the cyrillic letter "P".
Fournier
forgery


Forgery Type II


  1. The star above the portraits is heavily deformed on both forgeries.
  2. The coloured triangle in the right ornament is very asymmetric on the Type II forgeries, and the ends of the vertical bars are blunt. On the Fournier forgeries, the lower corner of the triangle touches the ornament below.
  3. The "drop" or petal hanging from the vertical ornaments are separate ovals on both forgeries.
  4. The tiny appendix inside the left ornament is almost non-existent on the Type II forgeries, but slightly better on the Fournier issues.
  5. Shading between figures and ornaments is almost completely coloured on the Type II forgeries, less so on the Fournier issues.
Fournier forgery
Forgery Type II
Fournier
forgery

Forgery Type II





Mi #80


Forgery Type II

Genuine

In this case, I can only show a Type II forgery. However, the design characteristics are the same as for the issues shown above, including a Fournier possible forgery of this issue:

  1. Little difference in the top text between genuine issues and Type II forgeries.
Forgery



  1. The star above the portraits is heavily deformed.
  2. The coloured triangle in the right ornament is very asymmetric, and the ends of the vertical bars are blunt.
  3. The "drop" or petal hanging from the vertical ornaments is deformed to a separate oval.
  4. The tiny appendix inside the left ornament is almost non-existent.
  5. Shading between figures and ornaments is almost completely coloured.
Forgery
Genuine









Sources:
  1. Expert: Billig's Grosses Handbuch der Faelschungen, Lieferung Nr. 30: Serbien, O. Stiedl, F. Billig, 1936
  2. Fournier's 1914 Price-list of Philatelic Forgeries, Introduced by L. Ragatz, 1958